Ocean Waves
9 Tracks — 80 minutes total

Ocean Waves - album cover

The rhythm of the sea, as expressed by the sounds of waves arriving at the shore, is at once engaging and relaxing, evocative and nostalgic. The voice of the ocean resonates with our primal interior, and induces a trance-like state that is rooted in our inborn awe of the powerful forces that dominate the natural world.

Ocean Waves features nine tracks, most gathered on seabird islands stretching from Maine to Newfoundland. A large variety of soundscapes are presented, ranging from huge swells cresting and crashing against immense boulders to gentle waves softly rushing on to beaches of pebbles and sand. All were made in beautiful locations where the view and smell of the shoreline and open sea combine with the soundscape to produce vivid and memorable multi-sensory experiences.

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NOTE: This album is also featured in Pure Nature 3D Audio, a FREE app for Apple mobile devices (iPhone, iPad and iPod Touch.)

Track Excerpts:

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Seal Island - track art for album: Ocean Waves

Seal Island

In late June, we spend several days in Maine at Seal Island National Wildlife Refuge, a 65-acre offshore island in Penebscot Bay. Cooperatively managed by the National Audubon Society, the island is the breeding site of atlantic puffins and both arctic and common terns.

Early one morning, we hike away from the tern colonies, heading toward the southern end of the island where we hope to find a wavescape that is not dominated by cacophonous seabird sounds. Though far from calm, the surf is fairly mellow, and we soon find ourselves sitting atop a large boulder, staring out to sea, all the while bathing in an ocean of relaxing sound enlivened by the excited calls of gulls.

June 25, 1994 at 9am. Seal Island National Wildlife Refuge, Penobscot Bay, Maine. Recorded by Lang Elliott.

Kittiwake Cliffs - track art for album: Ocean Waves

Kittiwake Cliffs

During a trip to the Gaspé Peninsula of Quebec, we make our way to Bonaventure Island, home to a variety of seabirds, including gannets, puffins, and murres. While the gannets make quite a clamor at their huge nesting colony, what delights us the most are the sweet nasal cries of black-legged kittiwakes, members of the gull family that are named for the distinct sound of their calls.

On the seaward side of the island, we hike a trail along the clifftops and soon discover a steep wooden staircase leading down to the ocean. Waves crash loudly against huge boulders, their low-pitched whomping sounds amplified by hollows at the base of the cliffs. The kittiwakes, nesting on ledges almost in reach of the splashing waves, sound off excitedly as they circle above their nests, some landing to feed their young.

We are captivated by the enlivening mixture of wave and seabird voices … such a rousing oceanic orchestra befitting the scene before us!

July 9, 1994 at 2pm. Bonaventure Island, near Percé, Quebec. Recorded by Ted Mack.

Waves of Manan

While traveling to a biological field station in the Bay of Fundy, we land on the picturesque Grand Manan Island, located off the coast of New Brunswick near the head of the bay. With only an hour to spare before our boat ride, we make our way to the bottom of the cliffs to enjoy the sound of the sea.

The tide is high and we feel a light breeze on our faces. We stand on a broad rocky ledge, the waves washing up and across the ledge, lapping against our feet, and refreshing numerous pools of water. We close our eyes and breathe-in this delicious soundscape, which helps steady our minds before we embark on the rest of our journey.

June 30, 1993 at 9pm. Grand Manan Island, Bay of Fundy, New Brunswick. Recorded by Lang Elliott.

Pebble Beach - track art for album: Ocean Waves

Pebble Beach

During our stay at Seal Island National Wildlife Refuge in Maine, we keep our eye on the weather. One morning, we awaken to nearly calm wind, so we hurry to the lee side of the island and soon discover a small, pebble-strewn beach.

Crouching on the beach, we watch as waves flow gently to the shore and then carry the small pebbles outward as the water returns to the sea, the pebbles clacking and clicking along the way. Such a delicate display of sound, so very pleasing to our ears.

June 27, 1994 at 11am. Seal Island National Wildlife Refuge, Penobscot Bay, Maine. Recorded by Lang Elliott.

Secret Cove - track art for album: Ocean Waves

Secret Cove

During a trip to Oregon, we explore the picturesque coastline to the south of Coos Bay. We soon discover a trail and follow it through thick forest to a beautiful cove with a broad sandy beach. The cove has a narrow entrance, shielding us from the loud rumble of waves crashing wildly against large rocks near the cove’s mouth.

The effect is soothing. The enormous power of open ocean is still palpable, but the surf has been smoothed and calmed. We stand with our feet buried in wet sand and enjoy the rhythm of the waves as they swell and wash upon the beach, instantly transforming into a bubbling soup that reverses direction and flows outward to meet and meld with each incoming wave.

June 27, 2013 at 7pm. Shore Acres State Park, near Coos Bay, Oregon. Recorded by Lang Elliott.

Witless Bay - track art for album: Ocean Waves

Witless Bay

En route to a seabird refuge in Newfoundland, we spend the night in the small village of Witless Bay. We sleep soundly at first, serenaded by distant waves. Then something changes.

Not long after midnight, we are awakened by bouts of high-pitched sizzling, hissing sounds. We rise and quickly make our way to the beach. The tide is going out and the receding waves are now pulling pebbles and small stones toward the sea. They appear to dance in the moonlight as they roll en masse, tapping against one another as if excited by their journey.

The effect is mesmerizing. Such an impressive oceanic sound experience, so utterly unique and entirely unexpected!

July 21, 1994 at 5am. Witless Bay, Newfoundland. Recorded by Lang Elliott.

Gentle Waves & Gulls - track art for album: Ocean Waves

Gentle Waves & Gulls

We are fortunate to obtain permission to visit Stratton Island, a National Audubon Society seabird refuge in southern Maine. Arriving by boat early one morning, we set about exploring the island and soon find ourselves heading toward an area where gulls nest in tall grass.

Listening carefully, we are drawn to the leeward side of the island where we sit atop a grassy mound not far from the shoreline. With gulls circling and calling overhead, we delight in this relaxing mix of waves and seabird sounds.

July 3, 1994 at 5am. Stratton Island Seabird Sanctuary, near Prouts Neck, Maine. Recorded by Lang Elliott.

Gull Island - track art for album: Ocean Waves

Gull Island

After visiting a gull colony on Stratton Island (see Track #7 above), we hike toward the center of the island where we have a good view of the coastline stretching out in both directions. The soundscape is dynamic, with a steady, soothing rush coming from the broad expanse of waves.

We sit in the grass at a high point, facing toward the open ocean. With a brisk wind blowing against our faces, we delight in this spacious maritime sound experience, accentuated by the salty smell of sea.

July 3, 1994 at 6am. Stratton Island Seabird Sanctuary, near Prouts Neck, Maine. Recorded by Lang Elliott.

Ocean Rumble - track art for album: Ocean Waves

Ocean Rumble

At Seal Island Seabird Sanctuary in Maine, we have enjoyed a wide variety of pleasing wavescapes, ranging from those featuring huge waves crashing loudly against the rocky shoreline to delicate sound displays, such as gentle waves rolling pebbles back to the sea.

We encounter one of our favorite Seal Island wavescapes during a breezy day. Positioning ourselves on a boulder about a hundred feet from the shoreline, we revel on the deep rumble of crashing waves and the animated calls of gulls nesting nearby.

Sights and smells and sounds combine to create a lasting memory that encapsulates the sheer power and unrivaled glory of the seabird island experience.

June 25, 1994 at 2pm. Seal Island Seabird Refuge, Penobscot Bay, Maine.

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